2. Special requirements for admission: the history of Ukraine, Ukrainian language and literature, and creative competition with 2 rounds: 1
| Вид материала | Документы |
- 2. Special requirements for admission: the history of Ukraine, Ukrainian language and, 2747.66kb.
- Chairman of the organizing committee of the competition – mayor, 9783.4kb.
- М. В. Ломоносова Филологический факультет Кафедра истории зарубежной литературы Диплом, 3721.87kb.
- Special offer! special offer! special offer! Тур 1а: Кейптаун– Дурбан Водопад Виктория(, 38.81kb.
- Electrical installations of buildings. Part Requirements for special installations, 120.71kb.
- The collapse of the soviet union the oral history of independent ukraine 1988-1991, 414.88kb.
- Berlitz Language Centre ec malta Am Language Studio Максимальное число учеников в интернациональной, 221.09kb.
- Special events для продвижения luxury good роскошь, 880.64kb.
- Berlitz Language Centre и Am Language Studio аренда учебник, 412.81kb.
- Low-voltage switchgear and controlgear assemblies. Part Requirements for type-tested, 1637.9kb.
17. Folk arts
Working curriculum of
disciplines „ Folk arts"

1. Name of the course.„ Folk arts "
Form (s) of study: full-time.
Specialty (-es): musical art
2. Course Code.
[ІКМ]. [ММ_Форт]. [3_3_1]
3. Type of Course (mandatory or optional for the student).
Optional for the student
4. Year (s) training.
2.
5. Semester / semesters.
3,4
6. The number of credits ЕСТS.
2
7. Surname name patronymic, position, rank, scientific degreeteacher (teachers) who teach discipline:.
Samokhina Natalya Nikolaevna- associate professor of the Department of theory, music history and musical training (Red Square 4, room.2-16).
8.The objective of the course (in terms of educational outcomes and competence).
The aim of the course: student's formation of aesthetic taste and artistic and cultural values, prompting emotional value to the assessment of artistic images of folk art and cultural phenomena.
| 9. Prerequisites (actual knowledge required to master the course). | ||||||||||||||||||||||
| Сourse music literature of CMS, college | ||||||||||||||||||||||
| 10. Course Content. | ||||||||||||||||||||||
| | ||||||||||||||||||||||
| № | Content of the modules and their structures | total | lec | pract. | individ. | independ. | | |||||||||||||||
| | The first module «Oral traditional culture of the Ukrainian people». | | | | | | | |||||||||||||||
| 1.1. | Children's folk | | 2 | | | | | |||||||||||||||
| 1.2. | Labor songs | | 2 | | | | | |||||||||||||||
| 1.3. | Instrumental music | | 2 | | | | | |||||||||||||||
| 1.4. | Dance and motion | | 2 | | | | | |||||||||||||||
| 1.5. | Calendar songs. General characteristics. | | 2 | | | | | |||||||||||||||
| 1.6. | Songs of winter calendar. | | 2 | | | | | |||||||||||||||
| 1.7. | Srinings | | 2 | | | | | |||||||||||||||
| 1.8. | Mermaid and realming songs | | 2 | | | | | |||||||||||||||
| 1.9. | Midsummering and Peter`s songs. | | 2 | | | | | |||||||||||||||
| 1.10 | Reaping songs. Haymaking. | | 2 | | | | | |||||||||||||||
| 1.11. | Domestic-ritual songs. | | 2 | | | | | |||||||||||||||
| 1.12. | Musical features of funings, malarkies, songs to fairy tales. | | | | | 3 | | |||||||||||||||
| 1.13. | Undancing and instrumental music | | | | | 3 | | |||||||||||||||
| 1.14. | Folk Theatre. Nativity Play. «Goat». «Malanka». | | | | | 2 | | |||||||||||||||
| 1.15 | Contents spring dances and songs | | | | | 2 | | |||||||||||||||
| 1.16. | Midsummering and Peter`s games and rituals | | | | | 2 | | |||||||||||||||
| 1.17 | Жнівні обряди. Зміст пісень. | | | | | 2 | | |||||||||||||||
| 1.18. | Unritual music. The role of the orchestra. | | | | | 2 | | |||||||||||||||
| 1.19 | Traces of ancient burial traditions of folklor. | | | | | 2 | | |||||||||||||||
| | The second module «Epic genres in Ukrainian music.» | | | | | | | |||||||||||||||
| 2.1 | Determination and content of Views. | | 2 | | | | | |||||||||||||||
| 2.2. | Musical features of historical songs. | | 2 | | | | | |||||||||||||||
| 2.3. | Lyrical epic songs. General characteristics. | | 2 | | | | | |||||||||||||||
| 2.4 | Identification and classification of ballads. | | 2 | | | | | |||||||||||||||
| 2.5. | Songing and drawling style in the ballads. | | 2 | | | | | |||||||||||||||
| 2.6. | Songs- chronicle. | | 2 | | | | | |||||||||||||||
| 2.7. | Authorship of songs- chronicle.. | | | | | 3 | | |||||||||||||||
| 2.8. | Modal structure, rhythm and form of historical songs | | | | | 3 | | |||||||||||||||
| 2.9. | Epic performance. History kobza playing. | | | | | 3 | | |||||||||||||||
| | The third module «Ukrainian popular lyrics». | | | | | | | |||||||||||||||
| 3.1. | Social and domestic songs. General characteristics. | | 2 | | | | | |||||||||||||||
| 3.2. | Melodic and performing style of Cossack`s songs. | | 2 | | | | | |||||||||||||||
| 3.3. | Chumak`s songs. | | 2 | | | | | |||||||||||||||
| 3.4. | The content and existence of recruiting and soldiers songs. | | 2 | | | | | |||||||||||||||
| 3.5. | Laborers songs | | 2 | | | | | |||||||||||||||
| 3.6. | Features of the householding songs | | 2 | | | | | |||||||||||||||
| 3.7. | Means of humor in jokes and satirical songs. | | 2 | | | | | |||||||||||||||
| 3.8. | Development of dancing vocal. | | | | | 4 | | |||||||||||||||
| 3.9. | Musical features of kolomiykas | | | | | 3 | | |||||||||||||||
| 3.10 | Musical features of Ukrainian ditties. | | | | | 3 | | |||||||||||||||
| | The fourth module «Oral and written Ukrainian musical culture» | | | | | | | |||||||||||||||
| 4.1. | Songs-romances. General characteristics | | 2 | | | | | |||||||||||||||
| 4.2. | Music content of shooters songs | | 2 | | | | | |||||||||||||||
| 4.3. | Musical features of rebel songs. | | 2 | | | | | |||||||||||||||
| 4.4. | Oralling, variance, consistency in modern art. | | 2 | | | | | |||||||||||||||
| 4.5. | Ways of creating new songs. | | 2 | | | | | |||||||||||||||
| 4.6. | Musical and poetic composition of modern song creation. | | 2 | | | | | |||||||||||||||
| 4.7. | Evolution of folklore | | | | | 3 | | |||||||||||||||
| 4.8. | Future of Folklore | | | | | 3 | | |||||||||||||||
| 4.9. | Singing styles in the Ukrainian folk art. | | | | | 2 | | |||||||||||||||
| 4.10 | Zoning singing traditions. | | | | | 2 | | |||||||||||||||
| | As a whole | | 60 | | | 48 | | |||||||||||||||
| 11. List of recommended textbooks. The main educational literature
| ||||||||||||||||||||||
| Additional educational materials: 1.Алексеев Э.Е. Проблемы формирования лада. – М.,1976. 2. Брайчевський М.Ю. Походження Русі. – К.,1968. 3. Грица С.Й. Мелос української епіки. – К.,1979. 4. Іваницький А.І. Українська музична фольклористика: методологія і методика. – К.,1997. 5.Кобычев В.П. В поисках прародины славян. – М.,1973. 6. Курочкін О.В. Новорічні свята українців. – К.,1978. 7. Правдюк О.А. Українська музична фольклористика. – К.,1976. 8. Рубців Ф.Статьи по музикальному фольклору. – М.-Л.,1973. 9.Успенский Н.Д. Древнерусское певческое искусство. – М.,1971. 10. Ященко Л. Українське народне багатоголосся. – К.,1962. 12. Teaching Methods. 1. Lecture presentation 2. Cultural and musicological analysis of musical works 3.Demonstration of relevant audio and video materials Students’ Activities:
Four modules (two in the first semester, two - in the second semester). Form semester control: Test І3. The evaluation criteria (in%) | ||||||||||||||||||||||
| Semester rating is calculated based on the criteria: - Modular written work 60% (four at 15%) - other types of work: individual interviews, music quiz 40%, ( with them 15% to independent work) Site Evaluation IWS
| ||||||||||||||||||||||
