Статья по предмету Разное

  • 141. Bundesprasident: Funktionen bei der Gesetzgebung und bei der Verwaltung
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    Funktionen bei der Gesetzgebung: Ausfertigung der Gesetze, d. h. Unterzeichnung der Originalurkunde des Gesetzes nach Gegenzeichnung des zustдndigen Ministers, Verkьndung der Gesetze im Bundesgesetzblatt, d.h. amtliche Bekanntmachung in dem dafьr bestimmten Organ, in der Praxis aber Aufgabe der Bundesregierung,Die vorzeitige Einberufung des Bundestages, Die Auflцsung des Bundestages, wenn der Bundeskanzler bei seiner Wahl nicht die absolute Mehrheit erhielt und wenn der Vertrauensantrag des Bundeskanzlers nicht die Zustimmung der absoluten Mehrheit des Bundestages fmdet.

  • 142. Burne-Jones, Sir Edward Coley
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    Burne-Jones, Sir Edward Coley, professional name of EDWARD COLEY JONES (1833-1898), English painter, designer, and illustrator, born in Birmingham and educated at the University of Oxford. Trained by the Pre-Raphaelite painter Dante Gabriel Rossetti, Burne-Jones shared the Pre-Raphaelites' concern with restoring to art what they considered the purity of form, stylization, and high moral tone of medieval painting and design. His paintings, inspired by medieval, classical, and biblical themes, are noted for their sentimentality and dreamlike romanticized style; they are generally considered among the finest works of the Pre-Raphaelite school. They include King Cophetua and the Beggar Maid (1884, Tate Gallery, London).

  • 143. Business communication
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    This year we were given a lucky opportunity to have some sort of training. The Communication, to my mind, is one of the subjects we apply to our life not once, and studying interpersonal skills maybe the most interesting occupation I can imagine. I think, nobody can remain indifferent to the relations between people, their behaviour and their individuality. It is no matter who are you - the manager of giant corporation or, lets say, a low-paid employee in a small office - if you are involved into some kind of business activity and have some goals and wishes - you are compelled to have a deal with others, without possibility to stand out from the communication.

  • 144. Business English, учебник F.W. King, Units 3-6, для специальности Мировая экономика
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    Many thx for your order for pattern no.300 of April 7. We appreciate your interest in our goods but we regret to say that we no longer export this brand. This article is out of fashion now & haven't god any orders for it almost an year. That's why we ceased to produce it but we are pleased to inform u that our research department has developed a new pattern-300a that meets demand in your country. We are sending u its sample by Parcel Post. U can give it a trial & then plz advise us if u agree to place order for such a product. We are sure u will & look forward to h.f. you soon.

  • 145. Business letters throught lexics
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    "The figures must be approved" are obscure ones leaving unsettled who it is that delivers, who decides, and who does the approving. Which side it is to be? Lawsuits are the plausible outcome of leaving it all unsettled. Passives used in contracts can destroy the whole negotiations. "You will deliver" is better for it identifies the one who will do delivering. Certainly, "must be approved by us" violates other canons. "We shall have the right but not the obligation to approve" is less unfortunate. There is no doubt that passives do not suit business letters, and if they go all the way through without adding something like "by you" or "by us" they are intolerable. Once in a long while one may find passives used purposely to leave something unresolved. In those circumstances they will be in class with "negotiate in good faith", which I've examined earlier.

  • 146. Business trip
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    Employees of different countries usually go on business trips. Any firm chooses only best export for it. Companies can arrange such trips both in and outside the country. There are many reasons of going on business there are to make a contract, to discuss different terms of delivery, payment or shipment, to have tests, to do consultancy, to improve once professional skills, to work etc. Represent natives of the companies make preliminary arrangements in order to meet. Usually itinerary of the trip is carefully planned by the head of the department or an executive. A business trip can be a long term or a short term one. Often an employee must give a financial report to the chief. As a rule businessman has a chance to go sightseeing or to visit theatres, or just have some rest after the working day. They also try to buy gifts or presents to relatives, friends and colleagues business trips contribute to extension of business relationship of a company and help to succeed in the world market.

  • 147. Business Trips
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    Nowadays people who go on business mostly travel by air as it is the fastest means of travelling. Passengers are requested to arrive at the airport 2 hours before departure time on international flights and an hour on domestic flights as there must be enough time to complete the necessary airport formalities. Passengers must register their tickets, weigh in and register the luggage.

  • 148. Cézanne, Paul
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    Cйzanne was born at Aix-en-Provence in the south of France on Jan. 19, 1839. He went to school in Aix, forming a close friendship with the novelist Emile Zola. He also studied law there from 1859 to 1861, but at the same time he continued attending drawing classes. Against the implacable resistance of his father, he made up his mind that he wanted to paint and in 1861 joined Zola in Paris. His father's reluctant consent at that time brought him financial support and, later, a large inheritance on which he could live without difficulty. In Paris he met Camille Pissarro and came to know others of the impressionist group, with whom he would exhibit in 1874 and 1877. Cйzanne, however, remained an outsider to their circle; from 1864 to 1869 he submitted his work to the official SALON and saw it consistently rejected. His paintings of 1865-70 form what is usually called his early ``romantic'' period. Extremely personal in character, it deals with bizarre subjects of violence and fantasy in harsh, somber colors and extremely heavy paintwork.

  • 149. Cézanne, Paul: Cézanne early work
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    One of the most important works of his early years is the portrait of his formidable father. The Artist's Father (1866, 199 x 119 cm (78 x 47 in)) is one of Cйzanne's ``palette-knife pictures'', painted in short sessions between 1865 and 1866. Their realistic content and solid style reveal Cйzanne's admiration for Gustave Courbet. Here we see a craggy, unyielding man of business, a solid mass of manhood, bodily succint from the top of his black beret to the tips of his heavy shoes. The uncompromising verticals of the massive chair are echoed by the door, and the edges of the small still life by Cйzanne on the wall just behind: everything corresponds to the absolute verticals of the edges of the canvas itself, further accentuating the air of certainty about the portrait. Thick hands hold a newspaper--though Cйzanne has replaced his father's conservative newspaper with the liberal L'Evйnement, which published articles by his childhood friend, Emile Zola. His father devours the paper, sitting tensely upright in the elongated armchair. Yet it is a curiously tender portrait too. Cйzanne seems to see his father as somehow unfulfilled: for all his size he does not fully occupy the chair, and neither does he see the still life on the wall behind him, which we recognize as being one of his son's. We do not see his eyes-- only the ironical mouth and his great frame, partly hidden behind the paper.

  • 150. Cézanne, Paul: From Impressionism to Classicism and Cubism
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    Cйzanne was a brooding, complex man, given to rages, grudges and depressions. He had few friends, and those he had he alienated. Even when success finally caught up with him, he was dogged by feelings of inadequacy. The most famous of his friends was his schoolmate and writer Emile Zola, who was everything Cйzanne wasn't -- charming, eloquent, sociable and successful at an early age. Zola was art critic, novelist and Cйzanne's mentor. The artist looked at him for strength but gave nothing in return. Zola got tired of placating Cйzanne's ego, and in later years, when Zola wrote The Masterpiece of an unfulfilled artist who eventually killed himself, Cйzanne was convinced that the author had him in mind. He was so egocentric and so paranoid, he assumed everyone would know Zola was writing about him. The reality was that no one knew about him at all, but the novel still destroyed their friendship.

  • 151. Caillebotte, Gustave
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    He was an engineer by profession, but also attended the Ecole des Beaux-Arts in Paris. He met Edgar Degas, Claude Monet, and Pierre Auguste Renoir in 1874 and helped organize the first impressionist exhibition in Paris that same year. He participated in later shows and painted some 500 works in a more realistic style than that of his friends. Caillebotte's most intriguing paintings are those of the broad, new Parisian boulevards. The boulevards were painted from high vantage points and were populated with elegantly clad figures strolling with the expressionless intensity of somnambulists, as in Boulevard Vu d'en Haut (1880; private collection, Paris). Caillebotte's superb collection of impressionist paintings was left to the French government on his death. With considerable reluctance the government accepted part of the collection.

  • 152. California Los-Angeles. Places of interest
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    California is perhaps the most unique state in the USA. It leads the country in manufacturing and farming. Its area is the 3rd in the country and it has the largest population, of which the white people constitute less than 50%. It is the most popular place to spend vacations - hiking in National parks, swimming in the Pacific Ocean and sightseeing in the cities. Such well-known places as Hollywood Disneyland, Death Valley, and the San Diego Zoo are located in California.First European settlements in California were Spanish, and in 1821, when Mexico became independent, it became its part. In 1848 the United States took control over this state. And on September 9, 1850, it became the 31 state of the USA.

    1. Capital - Sacramento.
    2. Population - 29,839,250 (1st).
  • 153. Canada
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    Среди иммигрантов в Канаде есть много индейцев, пакистанцев и китайцев, а также чернокожих из США. Некоторые канадцы опасаются, что вскоре в Канаде будет больше цветных граждан, чем белых. Другие встревожены растущим расизмом в стране. Канада, подобно другим странам, лишь недавно начала обращаться со своими цветными гражданами, эскимосами и индейцами, так, как они того заслуживают. За последние несколько лет индейские и эскимосские поселения намного выросли. Теперь правительство наконец поняло, что имеет обязательства по отношению к этим людям, которые оно ранее не выполняло. Все канадские дети обязаны изучать в школе, как французский, так и английский языки. Однако, большинство квебекских семейств среднего класса, живущих в Монреале говорят одинаково хорошо на английском и французском языках.

  • 154. Capitals of USA
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    Until 1800 the United States of America had five "capitals" or meeting places of the Congress - Princeton, Annapolis, Trenton, New York and Philadelphia. For various reasons, none of these cities offered an ideal seat of government for the new nation. Southern states protested that they were all too far north After the Constitution was adopted, the establishment of a new city was considered. President Washington pinpointed the exact location, and Congress passed a bill for a federal city and capital on July 17, 1790. The city of Washington was called just "The Federal City". It didn't gain its name until after the first president's death. When Congress and the rest of the small government's agencies arrived from Philadelphia in, the new capital looked very unpromising indeed. Only a fragment of the Capitol was completed, and a part of the White House. Other government departments were scattered about, and a few houses had been built. Up until the time of the Civil War, Washington grew quite slowly. It really was just another sleepy southern town, enlivened only when the Congress was in session, and not much even then. After the Civil War it became the real capital of the United States.

  • 155. Caravaggio, Michelangelo Merisi da
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    Despite violent criticism, his reputation increased and Caravaggio began to be envied. He had many encounters with the law during his stay in Rome. He was imprisoned for several assaults and for killing an opponent after a disputed score in a game of court tennis. Caravaggio fled the city and kept moving between hiding places. He reached Naples, probably early in 1607, and painted there for a time, awaiting a pardon by the pope. Here there was a in his painting style. The dark and urgent nature of his paintings at this time must have reflected Caravaggio's desperate state of mind.

  • 156. Career
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    As for me, I have not made up my mind whom to be yet. However, I apologize that my alternative will fall on the info technology sphere. As my parents have another occupations, which cannot be compared with my ideas, they have not made a great influence on my choice and I cannot say that this profession runs the family. They say that my future is in my hands. I am not following anybodys steps it seems to be a “new way”. From my point of work this way will turn out for the best, and I will not be taken aback of its “consequences”. My choice of future occupation didnt come as a sudden flash. I think that nowadays the info technologists profession is of the great need and importance to our country, even the whole world. It is my aim to be a qualified specialist and to serve the interests of my country. To be a well-prepared (and as coming to the conclusion well-paid then) computer “engineer” I should have some important qualities: great capability persistence, knowledge of science and, have course and knowledge of foreign languages (as the same as having course, and knowledge of a great variety programming languages).

  • 157. Career in hotel industry
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    3) The peculiarities of the hotel service are:

    1. The processes of the production and the consumption are not synchronous. This means that several kinds of service do not connect with the presence of the client (cleaning the rooms).
    2. Limited possibility of the keeping.
    3. Urgency of the service. The problem concerning the service must be solved very quickly. The urgency and the situation of the hotel are the most important factors by the choice of the hotel.
    4. The broad participation of the staff in the production process. Personal service cannot be mechanized or automated. Some technologies are being instituted to speed up routine tasks, but the human element is the determining one of the hospitality business. Therefore the problem of the standardization is significant in the lodging industry. The standards of the service are worked out at many hotels. They are the rules of the service, which guarantee the level of quality of all operations. These are the time of the official registration, the knowledge of foreign languages and the out-word appearance of the personal. The work at the hotel brings the employee into contact with people from all walks of life. Guests will include the wealthy and the poor, engaging and obnoxious. Each guest offers the employee an opportunity learns more about human nature. Employees not only have direct responsibility for guest service, the also have the benefit of witnessing the guests satisfaction. The managers generally need more hands-on experience before assuming managerial positions. The skills of understanding, motivation and directing people can best be developed through experience.
    5. Seasonal demand for the hotel service. It has an influence on the loading of the hotel.
    6. Interdependency between the hotel service and the purpose of the traveling.
  • 158. Carracci
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    They continued working in close relationship until 1595, when Annibale, who was by far the greatest artist of the family, was called to Rome by Cardinal Odoardo Farnese to carry out his masterpiece, the decoration of the Farnese Gallery in the cardinal's family palace. He first decorated a small room called the Camerino with stories of Hercules, and in 1597 undertook the ceiling of the larger gallery, where the theme was The Loves of the Gods, or, as Bellori described it, `human love governed by Celestial love'. Although the ceiling is rich in the interplay of various illusionistic elements, it retains fundamentally the self-contained and unambiguous character of High Renaissance decoration, drawing inspiration from Michelangelo's Sistine Ceiling and Raphael's frescos in the Vatican Loggie and the Farnesina. The full untrammelled stream of Baroque illusionism was still to come in the work of Cortona and Lanfranco, but Annibale's decoration was one of the foundations of their style. Throughout the 17th and 18th centuries the Farnese Ceiling was ranked alongside the Sistine Ceiling and Raphael's frescos in the Vatican Stanze as one of the supreme masterpieces of painting. It was enormously influential, not only as a pattern book of heroic figure design, but also as a model of technical procedure; Annibale made hundreds of drawings for the ceiling, and until the age of Romanticism such elaborate preparatory work became accepted as a fundamental part of composing any ambitious history painting. In this sense, Annibale exercised a more profound influence than his great contemporary Caravaggio, for the latter never worked in fresco, which was still regarded as the greatest test of a painter's ability and the most suitable vehicle for painting in the Grand Manner.

  • 159. Cassatt, Mary
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    Her own works, on the occasions when they were shown in various mixed exhibitions in the USA, were very favourably received by the critics and contributed not a little to the acceptance of Impressionism there. Despite her admiration for Degas, she was no slavish imitator of his style, retaining her own very personal idiom throughout her career. From him, and other Impressionists, she acquired an interest in the rehabilitation of the pictural qualities of everyday life, inclining towards the domestic and the intimate rather than the social and the urban (Lady at the Teatable, 1885; Metropolitan Museum, New York), with a special emphasis on the mother and child theme in the 1890s (The Bath, 1891; Art Institute of Chicago). She also derived from Degas and others a sense of immediate observation, with an emphasis on gestural significance. Her earlier works were marked by a certain lyrical effulgence and gentle, golden lighting, but by the 1890s, largely as a consequence of the exhibition of Japanese prints held in Paris at the beginning of that decade, her draughtsmanship became more emphatic, her colors clearer and more boldly defined. The exhibition also confirmed her predilection for print-making techniques, and her work in this area must count amongst the most impressive of her generation. She lived in France all her life, though her love of her adopted countrymen did not increase with age, and her latter days were clouded with bitterness.

  • 160. Castles of England
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    Originally because of the urgency needed to get them erected these structures were of wood but, as they were vulnerable to fire, quite soon the King insisted that they be built of stone. One of the first of these was the White Tower in the center of the Tower of London. These more substantial buildings soon became home to the Lord and his retainers. It is an axiom of military design that each improvement in design creates its own destruction as the attacker soon learns to overcome the latest technology. Thus castle building became a never ending program of updating to create defensive protection. The keep had its own curtain wall with watchtowers. These were originally built square but it was soon found that it was easy for an attacker to use the square shape to protect himself against defenders and also undermine the corners of the tower. A corner would be undermined and the whole area filled with wooden props to support it. Then pigskins filled with oil and fat would be placed in the cavity and ignited. As the flames destroyed the props so the tower crumbled. An example of this can be seen at Rochester where the undermining of one square corner tower is quite clear before it was rebuilt as round tower.