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  • 121. Books and Reading
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    Books can fit almost every need, temper, or interest. Books can be read when you are in the mood; they don't have to be taken in periodic doses. Books are more personal and more impersonal than professors. Books have an inner confidence which individuals seldom show; they rarely have to be on the defensive. Books can afford to be bold, and courageous, and explanatory; they don't have to be so careful of boards of trustees, colleagues, and community opinion. Books are infinitely diverse; they run the gamut of human activity. Books can express every point of work; if you want a different point of work, you can read a different book. Reading is probably the most important skill you will need for success in your studies. You will have to read lengthy assignments in different subjects with varying degrees of detail and difficulty. If you read inaccurately, you will fail to understand some of the information and ideas you read. If you read slowly, you will have to spent too much time reading your assignments so that your other work may suffer.

  • 122. Books in My Life
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    Reading books is a very important role in the life of people. It educates a person, enriches his intellect. Books bring pleasure and delight. I consider that books are with us during all our life. When I was a child my parents read them to me, I was pleased to listen to the stories and tales. I have learned a lot of interesting things from books since then. Now I like to read books on science. I am keen on reading the great variety of encyclopedias, reference books, technical magazines, etc.

  • 123. Books in Our Life
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    There are some problems in our life and sometimes it is difficult to solve them. I think that books can help us. Last year I read a very interesting book "An American Tragedy" by Theodore Dreiser. This novel was published at the beginning of the 20th century. The novel describes the tragic fate of a boy and a girl, Clyde and Roberta by name. It is a sad story. This novel was written many years ago, but it is popular nowadays.

  • 124. Bosch, Hieronymus
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    Even a more naturalistic painting like The Path of Life contains sinister elements. Apart from the dog snarling at the poverty-stricken old man, and the animal bones and skull in the foreground, robbers attack a traveller in the background, and a gallows is visible on the skyline above the old man's head. The Path of Life is on the outer face of the wings of a triptych. The three inside panels display Bosch's tragic work of human existence, dwelling upon the triumph of sin. Man's exile from Paradise is shown on the left, the infinite variation of human vice in the centre, and its consequence--exile to Hell--on the right.

  • 125. Bosch, Hieronymus: The Temptation of St Anthony
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    The central panel of this triptych illustrates the kneeling figure of St Anthony being tormented by devils. These include a man with a thistle for a head, and a fish that is half gondola. Bizarre and singular as such images seem to us, many would have been familiar to Bosch's contemporaries because they relate to Flemish proverbs and religious terminology. What is so extraordinary is that these imaginary creatures are painted with utter conviction, as though they truly existed. He has invested each bizarre or outlandish creation with the same obvious realism as the naturalistic animal and human elements. His nightmarish images seem to possess an inexplicable surrealistic power.

  • 126. Botticelli, Sandro
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    After Masaccio, Sandro Botticelli (Alessandro di Moriano Filipepi, 1444/5-1510) comes as the next great painter of the Florentine tradition. The new, sharply contoured, slender form and rippling sinuous line that is synonymous with Botticelli was influenced by the brilliant, precise draftsmanship of the Pollaiuolo brothers, who trained not only as painters, but as goldsmiths, engravers, sculptors, and embroidery designers. However, the rather stiff, scientifically formulaic appearance of the Pollaiuolos' painting of The Martyrdom of St Sebastian, for instance, which clearly follows anatomical dictates, finds no place in the painting of Botticelli. His sophisticated understanding of perspective, anatomy, and the Humanist debate of the Medici court never overshadows the sheer poetry of his vision. Nothing is more gracious, in lyrical beauty, than Botticelli's mythological paintings Primavera and The Birth of Venus, where the pagan story is taken with reverent seriousness and Venus is the Virgin Mary in another form. But it is also significant that no-one has ever agreed on the actual subject of Primavera, and a whole shelf in a library can be taken up with different theories; but though scholars may argue, we need no theories to make Primavera dear to us. In this allegory of life, beauty, and knowledge united by love, Botticelli catches the freshness of an early spring morning, with the pale light shining through the tall, straight trees, already laden with their golden fruit: oranges, or the mythical Golden Apples of the Hesperides?

  • 127. Boucher, François
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    Boucher, the son of a designer of lace, was born in Paris. He studied with the painter Franзois Le Moyne but was most influenced by the delicate style of his contemporary Antoine Watteau. In 1723 Boucher won the Prix de Rome; he studied in Rome from 1727 to 1731. After his return to France, he created hundreds of paintings, decorative boudoir panels, tapestry designs, theater designs, and book illustrations. He became a faculty member of the Royal Academy in 1734. He designed for the Beauvais tapestry works and in 1755 became director of the Gobelins tapestries. In 1765 he was made first painter to the king, director of the Royal Academy, and designer for the Royal Porcelain Works. His success was encouraged by his patron, Marquise de Pompadour, mistress to Louis XV. He painted her portrait several times.

  • 128. Britain
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    Britain is only a small country, but every part is different. Scotland is a land of mountains, lakes and romantic castles. The winters are cold, with plenty of snow, but the summers are often warm and sunny. Deer live in the hills, and the rivers are full of salmon. Edinburgh, Scotland's capital, is very beautiful. The heart of the city is the castle, where the kings of Scotland lived for centuries. Edinburgh has a busy cultural life. Every year, in August, the International Festival takes place. Musicians, actors and singers come from all over the world and thousands of visitors fill the city. In the evening, the opera house, the theatres and concert halls are full. In cafes and pubs, small groups sing, act and read poetry. The castle is at its best in Festival time. Every night there is a magnificent military "Tattoo". Highland soldiers wearing "kilts" play the bagpipes and march to the music. Tartans, the patterns of the kilts, have an interesting history. Since the fifteenth century, each Scottish family (or 'clan') has worn its own tartan as a kind of badge. It was a useful way of recognizing people, especially in times of war. Many tartans date only from the nineteenth century, but some of the old patterns still exist. "Dress" tartans, worn on special occasions, have light, bright colours. Hunting tartans are usually green, blue, or brown.

  • 129. British and American Families
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    The typical British family has a car, a colour TV set, a washing machine, and a cat or dog as well. They start the day at about 7 o'clock, have breakfast at 8. and are off to work by 8.30 . More and more women now go out to work as well as men. The children have lunch at school at about 12.30, and come home at 4 in the afternoon. Their parents are usually home by 6 o'clock, and the family eats together at 6.30 or 7. In the evenings, father may go to the pub for a drink, or stay at home and watch TV with the others. Children go to bed early, at about 8 o'clock, two or three hours before their parents.

  • 130. British holidays
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    The 25th of December is Christmas Day. It is one of the people's favourite holidays. People put Christmas trees in their houses and decorate them. There are beautiful Christmas decorations in the streets. On Christmas Eve everybody puts the presents under the Christmas tree. People say that at night Father Christmas puts presents into the stockings which children usually hang on their beds. The traditional Christmas meal is roast turkey and Christmas pudding.

  • 131. British Isles
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    The beginning of the Iron Age (ab. 400 BC) British Isles were invaded by Celts armed with weapons of iron. They conquered Kent and much of Southern England. They imposed their language on the natives, its Gaelic form was used in Ireland and Scotland, the Brythonic form - in England and Wales. It was the Brythonic tribe that gave its name to the whole country. The first chronicle of Britain was written by an educated merchant from Morsel. He also wrote the first description of the people, called Celts. He said they were a gentlefolk, skilled craftsman, who welcomed visitors. The most educated visitor of Britain described the British as a fierce race. His name was Julius Caesar. Present English dates back to 5th-6th centuries, when Germanic tribes of Jutes, Saxons & Angles overran all England except Cornwall & Cumberland. Some religious terms were borrowed from Latin in connection with converting England to Christianity by St. Augustin. Some parts of England were invaded by Danes & Norwegians, that's why the languages of the Anglo-Saxons & Danes formed the basis of English.

  • 132. British painting in the 17-18th centuries (Британская живопись 17-18 вв.)
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    The love of fourteenth-century painters for graceful and delicate details is seen in such famous illustrated manuscripts as the English Psalter known as Queen Mary's Psalter(about 1310). One of the pages shows Christ in the temple, conversing with the learned scribes. They have put him on a high chair, and he is seen explaining some point of doctrine with the characteristic gesture used by medieval artists when they wanted to draw a teacher. The scribes raise their hands in attitude of awe and astonishment, and so do Christ's parents, who are just coming on to the scene, looking at each other wonderingly. The method of telling the story is still rather unreal. The artist has evidently not yet heard of Giotto's discovery of the way in which to stage a scene so as to give it life. Christ is minute in comparison with the grown-ups, and there is no attempt on the part of the artist to give us any idea of the space between the fugures. Moreover we can see that all the faces are more of less drawn according to one simple formula, with the curved eyebrows, the mouth drawn downwards and the curly hair and beard. It is all the more surprising to look down the same page and to see that another scene has been added, which has nothing to do with the sacred text. It is a theme from the daily life of the time, the hunting of ducks with a hawk. Much to the delight of the man and woman on horseback, and of the boy in front of them, the hawk has just got hold of a duck, while tow others are flying away. The artist may not have looked at real boys when he painted the scene above, but he had undoubtedly looked at real hawks and ducks when he painted the scene below. Perhaps he had too much reverence for the biblical narrative to bring his observationn of actual life into it. He preferred to keep the two things apart: the clear symbolic way of telling a story with easily readable gestures and no distracting details, and on the margin of the page, the piece from real life, which reminds us once more that this is Chaucer's century. It was only in the cours of the fourteenth century that the two elements of this art, the graceful narrative and the faithful observation, were gradually fused. Perhaps this would not have happened so soon without the influence of Italian art.

  • 133. British press
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    The tabloid press is much more popular than the quality press. In some countries, newspapers are owned by government or by political parties. This not the case in Britain Newspapers here are mostly owned by individuals or by publishing companies, and the editors of the papers are usually allowed considerate freedom of expression. This is not to say that newspapers are without political bias. Papers like The Daily Telegraph, The Daily Express and The Sun, for example, usually reflect conservative opinions in their comment and reporting, while the Daily mirror and the Guardian have a more leftwing bias.

  • 134. British school
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    A fair idea of the British artists achievements in the field of portrait painting can be gained from the canvases by George Romney Thomas Gainsborough, John Opie, Henry Rdeburn, John Hoppner and John Russell, all marked by a vividness of expression and brilliance of execution typical of the British School of portrait painting in the days when it had achieved a national tradition. Highly important is Gainsboroughs superb «Portrait of the Duchess of Beaufort» painted in a loose and most effective manner characteristic of his art in the late 1770s. For charm of expression and brilliance of execution, it ranks among the masterpieces of the Museum.The «Tron Forge» by Joseph Wright of Derby is an interesting example of a new subject in English18th century art: the theme of labour and industry, which merged in the days of the Industrial Revolution.

  • 135. British theatres
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    Until recently the history of the English theatre has been build around actors rather then companies. It has been hard to find any London theatre that even had a consistent policy. There are no permanent staff in British theatres. Apply is rehearsed for a few weeks by a company of actors working together mostly for the first time and it is allowed to run as long as it draws the odious and pays it's way.

  • 136. British vs. American English
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    British English American EnglishcentrecentertheatreTheaterrealiseRealizecatalogueCatalogprogrammeProgramtravelledTraveledneighbourneighborgreygrayploughplowto practise (verb)to practice (verb)practice (noun)practice (verb)chequecheck (noun)Again, these are in my opinion examples for the most important spelling differences between British and American English. Of course, there are more of them and the purpose of this article is not to elaborate on orthography but to raise your awareness of the subject so you can make your own observations and draw conclusions.

  • 137. Brown, Ford Madox
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    His best-known picture, The Last of England (City Art Gallery, Birmingham, 1855) was inspired by the departure of Woolner, the Pre-Raphaelite sculptor, for Australia. The other famous anthology piece that Brown painted, Work (Manchester City Art Gallery, 1852-63), shows his dedicated craftsmanship and brilliant coloring, but is somewhat swamped by its social idealism. In 1861 Brown was a founder member of William Morris's company, for which he designed stained glass and furniture. The major work of the later part of his career is a cycle of paintings (1878-93) in Manchester Town Hall on the history of the city. Brown was an individualist and a man of prickly temperament; he opposed the Royal Academy and was a pioneer of the one-man show.

  • 138. Bruegel, Pieter the Elder
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    Pieter Bruegel the Elder, generally considered the greatest Flemish painter of the 16th century, is by far the most important member of the family. He was probably born in Breda in the Duchy of Brabant, now in The Netherlands. Accepted as a master in the Antwerp painters' guild in 1551, he was apprenticed to Coecke van Aelst, a leading Antwerp artist, sculptor, architect, and designer of tapestry and stained glass. Bruegel traveled to Italy in 1551 or 1552, completing a number of paintings, mostly landscapes, there. Returning home in 1553, he settled in Antwerp but ten years later moved permanently to Brussels. He married van Aelst's daughter, Mayken, in 1563. His association with the van Aelst family drew Bruegel to the artistic traditions of the Mechelen (now Malines) region in which allegorical and peasant themes run strongly. His paintings, including his landscapes and scenes of peasant life, stress the absurd and vulgar, yet are full of zest and fine detail. They also expose human weaknesses and follies. He was sometimes called the "peasant Bruegel" from such works as Peasant Wedding Feast (1567).

  • 139. Buckingham Palace
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    The rooms open to visitors are used principally for official entertainment .These include Receptions and State Banquets, and it is on such occasions, when the rooms are filled with flowers and thronged with formally dressed guests and liveried servants, that the Palace is seen at its most splendid and imposing. But of course the Palace is also far more than just the London home of the Royal Family and a place of lavish entertainment. It has become the administrative centre of the monarchy where, among a multitude of engagements, Her Majesty receives foreign Heads of State, Commonwealth leaders and representatives of the Diplomatic Corps and conducts Investitures, and where the majority of the Royal Houshold, consisting of six main Departments and a staff of about three hundred people, have their offices.

  • 140. Bundesgesetze
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    Im einzelnen sieht das Grundgesetz folgende Regelung vor: Binnen zwei Wochen nach Eingang des Gesetzbeschlusses kann der Bundesrat verlangen, daЯ ein aus Mitgliedem des Bundestages und des Bundesrates fьr die gemeinsame Beratung von Vorlagengebildeter AusschuЯ einberufen wird (sog. VermittlungsausschuЯ). Ist zu einem Gesetz die Zustimmung des Bundesrates erforderlich, so kцnnen auch der Bundesrat und die Bundesregierung die Einberufung verlangen. Schlдgt der AusschuЯ eine Дnderung des Gesetzbeschlusses vor, so hat der Bundestag emeut BeschluЯ zu fassen. Ist dieses Verfahren beendet, so kann der Bundersrat, soweit zu einem Gesetz seine Zustimmung nicht erforderlich ist, binnen einer anderen Woche Einspruch gegen das vom Bundestag beschlossene Gesetz einlegen. Ьber den Einspruch stimmt der Bundestag ab. Wird der Einspruch mit der Mehrheit der Stimmen des Bundesrates beschlossen, so kann er durch den BeschluЯ der Mehrheit der Mitglieder des Bundestages zurьckgewiesen werden. Hat der Bundesrat den Einspruch mit einer Mehrheit von mindestens zwei Dritteln seiner Stimmen beschlossen, so bedarfdie Zurьckweisung durch den Bundestag ebenfalls einer Mehrheit von zwei Drittein, mindestens der Mehrheit der gesetzlichen Mitgliederzahl des Bundestages (Art. 77 GG).