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Working curriculum subject
„Special instrument (piano)"
-
Name of the course
„ Special instrument (piano)" :
Form (s) of study: full-time.
Specialty (-es): Art of Music.
2. Course Code
[ІКМ].[ММ_Форт].[3_1_3]
3. Type of Course (mandatory or optional for the student))
Mandatory
4. Year (s) training.
2 - 4 .
5. Semester/semesters
3-8
- The number of credits
ІІІ semester -3, ІV semester -3, V semester – 3, VІ semester –3, VІІ semester –3, VІІІ semester – 3
-
Surname name patronymic, position, rank, scientific degree teacher (teachers) who teach discipline:
Hvozdeva Nadezhda Pavlovna – professor of the Department theory, music history and musical training, Ph.D. in education; Borisova Svetlana Vladimirovna – associate professor of the Department theory, music history and musical training, Ph.D. in education, Ovcharenko Anna Eduardovna – associate professor of the Department theory, music history and musical training, Ph.D. in education, Labintseva Larissa Pavlovna – associate professor of the Department theory, music history and musical training, Ph.D. in education.
- The objective of the course (in terms of educational outcomes and competence).
Among the current problems of higher music school is one of the most important - of the national staff of the best examples of world and national music culture. In this process plays an important role special piano course which main objective is to train highly skilled musicians, pianists, artists and teachers, almost prepared for their professional activities, able to further self-improvement, constant improvement of their own skills and creative growth, in which a special responsibility to further development of national, cultural, and spiritual revival of Ukraine. This subjec is subordinated to the curriculum of the course.
The aim of the course - professional training of young highly qualified frames, which is able to provide national, spiritual and cultural renaissance of Ukraine, free use of the instrument (piano) in various types of creative activity; learning model features the music of different eras, styles, national schools and movements in art, and possession of an instrument repertoire of skills needed for all types of music.
| 9. Prerequisites (actual knowledge required to master the course). | |||||||||||||||
| Special Piano Course 1 course WEI | |||||||||||||||
| 10. Course Content. | |||||||||||||||
| | |||||||||||||||
| № | Content of the modules and their structures | total | lect | pract. | independ | credit | form of control | ||||||||
| | The first module | | | | | | | ||||||||
| 1.1. | competitive etude | 21 | | 6 | 15 | 0,5 | | ||||||||
| 1.2. | instruction etude (double notes) | 20 | | 6 | 14 | 0,25 | | ||||||||
| 1.3. | all kinds of gamma, chords and arpeggio flat scale | 16 | | 6 | 10 | 0,25 | | ||||||||
| 1.4. | reading from sheet | 14 | | 4 | 10 | 0,25 | | ||||||||
| | The second module | | | | | | іспит | ||||||||
| 2.1. | Prelude and Fugue by J. S. Bach | 28 | | 8 | 20 | 0,5 | | ||||||||
| 2.2. | sonata or rondo or variations as independent piece of Mozart or Beethoven | 28 | | 8 | 20 | 0,5 | | ||||||||
| 2.3. | concert piece of ukrainian composer | 23 | | 8 | 15 | 0,5 | | ||||||||
| 2.4. | colloquium in connection with the program that performed | 15 | | 5 | 10 | 0,25 | | ||||||||
| | The third module | | | | | | | ||||||||
| 3.1 | Haydne`s sonata completely
І | 35 | | 10 | 25 | 0,5 | | ||||||||
| 3.2 | piece independently studied | 28 | | 8 | 20 | 0,5 | | ||||||||
| | The fourth module | | | | | | залік (диф.) | ||||||||
| 4.1 | Prelude and Fugue by J. S. Bach | 30 | | 10 | 20 | 0,5 | | ||||||||
| 4.2 | first, or second and third parts of the concert by Mozart or Beethoven (if in the module ІІ performed piece by Mozart, it is played a concert by Beethoven and opposite). | 35 | | 10 | 25 | 0,5 | | ||||||||
| 4.3 | piece of complex form (preferably Ukrainian author) | 30 | | 10 | 20 | 0,75 | | ||||||||
| 4.4 | colloquium in connection with the program that performed | 16 | | 6 | 10 | 0,25 | | ||||||||
| | The fifth module | | | | | | | ||||||||
| 5.1 | instruction etude (the heavy technique) | 23 | | 8 | 15 | 0,5 | | ||||||||
| 5.2 | Chopin`s etude from 10 or 25 opuses (except № 3, 6 ор.10, №7 ор.25) | 23 | | 8 | 15 | 0,5 | | ||||||||
| 5.3 | sight-reading | 16 | | 6 | 10 | 0,25 | | ||||||||
| | Шостий модуль | | | | | | іспит | ||||||||
| 6.1 | polyphonic composition | 28 | | 8 | 20 | 0, 5 | | ||||||||
| 6.2 | large-scale composition of composer-romantic (concert, sonata, variations, suite, cyclical composition) | 30 | | 8 | 22 | 0,5 | | ||||||||
| 6.3 | concert piece of the Ukrainian composer | 30 | | 8 | 22 | 0, 5 | | ||||||||
| 6.4 | colloquium in connection with the program that performed | 15 | | 5 | 10 | 0,25 | | ||||||||
| | The seventh module | | | | | | | ||||||||
| 7.1 | two Chopin`s etude from 10 or 25 opuses (except № 3, 6 ор.10, №7 ор.25) | 42 | | 12 | 30 | 0.75 | | ||||||||
| 7.2 | Liszt's concert piece | 29 | | 9 | 20 | 0,5 | | ||||||||
| 7.3 | colloquium in connection with the program that performed | 15 | | 5 | 10 | 0,25 | | ||||||||
| | The eighth module | | | | | | іспит | ||||||||
| 8.1 | large-scale romantic composition | 30 | | 10 | 20 | 0,5 | | ||||||||
| 8.2 | polyphonic composition | 29 | | 9 | 20 | 0,5 | | ||||||||
| 8.3 | Liszt's Etude | 29 | | 9 | 20 | 0,5 | | ||||||||
| | The ninth module | | | | | | | ||||||||
| 9.1 | concert composition of the contemporary composer (preferably Ukrainian) | 31 | | 9 | 22 | 0,5 | | ||||||||
| 9.2 | cantilenian piece | 27 | | 7 | 20 | 0,5 | | ||||||||
| | The tenth module | | | | | | іспит | ||||||||
| 10.1 | polyphonic composition | 32 | | 10 | 22 | 0,5 | | ||||||||
| 10.2 | sonata (full), or the first part of the concert | 43 | | 15 | 28 | 1 | | ||||||||
| 10.3 | concert piece of complex form | 32 | | 10 | 22 | 0,5 | | ||||||||
| | The eleventh module | | | | | | | ||||||||
| 11.1 | two compositions from the State exam program a bachelor's degree | 35 | | 10 | 25 | 1 | | ||||||||
| 11.2 | colloquium in connection with the program that performed | 11 | | 4 | 7 | 0,5 | | ||||||||
| | The twelfth module | | | | | | залік (диф.) | ||||||||
| 12.1 | polyphonic composition | 20 | | 5 | 15 | 0,5 | | ||||||||
| 12.2 | sonata (full), or first or second and third parts the concert | 35 | | 15 | 20 | 0,5 | | ||||||||
| 12.3 | concert piece of complex form | 25 | | 5 | 20 | 0,5 | | ||||||||
| | Total number of hours | 969 | | 300 | 669 | 18 | | ||||||||
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