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Working curriculum
subject „ Theory of Music (harmony)"
1. Name of the course
Theory of Music (harmony) :
Form (s) of study: full-time.
Specialty (-es): Art of Music
2. Course Code.
[ІКМ]. [ММ_Орк_стр].[3_1_2]
3. Type of Course (mandatory or optional for the student).
Mandatory
4. Year (s) training.
2-й. .
5. Semester / semesters.
3
6.The number of credits.
1,1
7. Surname name patronymic, position, rank, scientific degree
teacher (teachers) who teach discipline:.
Kovaleva Anna Hryhoriyivna – elder lecturer in theory, music history and musical training (Red square 4, room.2-01).
8. The objective of the course (in terms of educational outcomes and competence).
The aim of the course - of students in technological skills vminta in elementary musical creativity, which is essential factor in successful and valuable for future professional activities.
9. Prerequisites (actual knowledge required to master the course). | |||||||||||||||||||||
The course of music theory and harmony CMS, college, 1 courses solfeggio and harmony HEI | |||||||||||||||||||||
10. Course Content. | |||||||||||||||||||||
| |||||||||||||||||||||
№ | Content of the modules and their structures | total | pract. | ind. | indep. | | |||||||||||||||
| The first module | | | | | ||||||||||||||||
1.1. | The general theory of modulation | | 2 | | 2 | ||||||||||||||||
1.2. | Enharmonizm septaccordes reduced. | | 2 | | 2 | ||||||||||||||||
1.3. | Modulations without a common chord | | 2 | | 2 | ||||||||||||||||
1.4. | Gradual modulation to distant tone | | 2 | | 2 | ||||||||||||||||
1.5 | Checkpoint and support fourthsextaccordes | | 2 | | 3 | ||||||||||||||||
| The second module | | | | | ||||||||||||||||
2.1 | Major-minor system | | 2 | | 2 | ||||||||||||||||
2.2. | Overview of parallel Major-minor. | | 2 | | 2 | ||||||||||||||||
2.3. | Ways of functional harmony-tune major-minor system from its source to the 18 cent. | | 2 | | 2 | ||||||||||||||||
| The third module | | | | | ||||||||||||||||
3.1 | Features harmnic language of Viennese classics | | 2 | | 4 | ||||||||||||||||
3.2 | Features of the harmonic language of the romantic period composers | | 4 | | 4 | ||||||||||||||||
3.3 | Features of the harmonic language of Russian and Ukrainian schools | | 2 | | 4 | ||||||||||||||||
3.4 | Features of the harmonic language of the greatest composers 20 cent. | | 4 | | 4 | ||||||||||||||||
| TOTAL HOURS | 61 | 28 | | 33 | ||||||||||||||||
11. List of recommended textbooks. The main educational literature
| |||||||||||||||||||||
Additional educational materials: 1. Гуляницкая Н. Введение в современную гармонию. – М., 1984 2. Очерки по истории гармонии в русской и советской музыке: Вып. 1. – 1985; Вып. 2. – М., 1985; Вып.3. – М.. 1989 3. Скребкова –Филатова М.С. Фактура в музыке. – М., 1985 4. Осніна С. Гармонія. Сольфеджіо Ч.1. – М., « Музика», 2002 5. Виноградов Г. Гармония и сольфеджио. – К., «Музична Україна» - 2006 | |||||||||||||||||||||
12. Teaching Methods. Lecture description of theory, practical tasks of harmonization a given melody (written and pianos), analysis of music harmony. | |||||||||||||||||||||
Students’ Activities:
Three modules. Form semester control: test. | |||||||||||||||||||||
І3 The evaluation criteria (in%) | |||||||||||||||||||||
Semester rating is calculated based on the criteria: - Modular written work 60% (with them c.i.w.) (15%) - - other types of work: practical problems 15%, playing music figures sequences and the piano 15%, harmonization of melodies 10% Site Evaluation IWS
14. Languages Teaching Ukrainian, Russian |