Методическое пособие по практике устной и письменной речи английского языка для студентов III-IV курсов отделения романо-германской филологии

Вид материалаМетодическое пособие

Содержание


Foreign classics
Записки Пиквикского клуба
Vocabulary exercises
What helped you to match extracts? Was it content (names, details), language, or style?
Подобный материал:
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FOREIGN CLASSICS

All ‘s Well That Ends Well – Конец – делу венец

As You Like It – Как вам это понравится

Cabal and Love – Коварство и любовь

Don Quixot – Дон Кихот

Romeo and Juliet – Ромео и Джульетта

The Constant Wife – Верная жена

The Merchant of Venice – Венецианский купец

The Merry Wives of Windsor – Виндзорские насмешницы

The Pickwick Papers – Записки Пиквикского клуба

The School for Scandal – Школа злословия

The Taming of the Shrew – Укрощение строптивой

The Winter’s Tale – Зимняя сказка

Two Gentlemen of Verona – Два веронца


VOCABULARY EXERCISES

Ex. 1. WAYS OF WRITING. Match the following verbs describing various ways of writing with their definitions on the right.

  1. to autograph
  1. to compose
  1. to inscribe
  1. to jot
  1. to note
  1. to print
  1. to scrawl
  1. to scribble
  1. to sign
  1. to spell



  1. to transcribe



  1. to type
  2. to annotate












    1. to put something into a written form, e.g. a speech
    2. to write carelessly or in a hurry so that it is hard to read
    3. to write using a typewriter
    4. to write in an irregular, awkward, or unskillful way, usually covering more space than necessary
    5. to add short notes to explain certain parts of a book, etc.
    6. to write using square, unjoined letters; also used in books
    7. to sign with one's own name to show that one is the writer of a book, etc.
    8. to write a name in a book, especially when giving it as a present
    9. to write rough notes quickly, without preparation
    10. to write in a short form
    11. to write one's name specially, on letters, official forms, etc.
    12. to form words correctly from letters
    13. to write music, poetry, etc.



Ex. 2. WAYS OF WRITING. Fill in the following sentences using the verbs describing various ways of writing.
  1. He………..…. some notes for the talk he had just been asked to give after the dinner.
  2. There was a name …………………. on the wall.
  3. Will you …………………. your new book for me, please?
  4. My name is ………………….. B-R-O-W-N not B-R-A-W-N.
  5. Please …………………… your address clearly in block capitals.
  6. His name was ……………….. on a metal plate beside the door.


Ex. 3. BOOKS. Match each kind of book with what you would normally expect to find in it.

atlas a) basic coursebook at school or university

autobiography b) information about subjects in alphabetical order

dictionary c) lists of words grouped according to their similarity in meaning

directory ' d) maps

encyclopedia e) a list of names of places printed at the end of an atlas

gazetteer f) a list of important, famous people and brief details of their lives

guidebook g) meanings of words

manual h) tourist information about a country

textbook i) instructions on how to use or repair a machine

thesaurus j) a list of names, addresses and telephone numbers in alphabetical order

Who's Who k) the story of one's own life written by oneself


Ex. 4. BOOKS. Choose the right answer.

1. I don't like reading history or biographies; I prefer………………. myself.

a) description b) fiction c) invention d) narration

2. That book has been out of……………… for a long time.

a) copy b) press c) print d) publication

3. You have to pay a ……………….. if you do not return your library books on time.

a) fee b) fine c) penalty d) tax

4. Most of the poet's earlier work was published under a ………………. .

a) misnomer b) namesake c) nickname d) pseudonym

5. His new book received good …………………. from the critics.

a) comprehension b) flavours c) reviews d) understanding

6. He bought the book for half price because its ……………….. was torn.

a) coat b) coating c) cover d) skin

7. I have just read a lovely ……………… about a man who devoted his life to monkeys.

a) fiction b) history c) production d) story

8. The first ……………….. of a book can sometimes be very valuable.

a) copy b) edition c) title d) type

9. Ms Original had a little in ………………. with other authors of her generation.

a) common b) everyday c) normal d) ordinary

10. That author has written a fictional . …………………….of his wartime experiences.

a) account b) novel c) story d) tale

11. This is a good…………………………of his delight in unusual words and phrases.

a) case b) example c) expression d) passage

12. I can't read this book without my glasses. The……………….is too small.

a) handwriting b) letter c) print d) typewriter

13. Ask the publishers to send you their latest…………………..of English text-books.

a) booklet b) catalogue c) index d) prospectus

14. I'm reading a book about ……………….of Henry VIII.

a) the existence b) the life c) the living d) the road

15. The printing of the book has been held up by the paper……………………

a) deficit b) lack c) scarce d) shortage

16. The essayist, John Cardinal Newman, was one of the most distinguished men of………………of his time.

a) books b) letters c) publications d) writings

17. In your criticism of this work, I think you have done less than …………………. to the originality of his style.

a) appreciation b) approval c) justice d) praise

18. Because Shakespeare mainly wrote plays, he is usually regarded as ……………………

a) an author b) a dramatist c) a novelist d) a writer

19. He knows most of Wordsworth's poems by …………………….

a) head b) heart c) memory d) mind


Ex. 5. BOOKS. Divide the following words into four groups.
      1. Kinds of printed matter
      2. Handwritten matter
      3. Reference books
      4. Kinds of poems

Some words may belong to more than one group.

atlas

couplet

elegy

lexicon

manuscript

scroll

ballad

dictionary

encyclopaedia

limerick

ode

sonnet

brochure

directory

hardback

lyric

pamphlet

thesaurus

catalogue

draft

leaflet

nursery rhyme

paperback


Ex. 6. BOOKS. Match the description with the names of parts of a book.

1. appendix

a) the cover of a book

2. bibliography

b) a short description by the publisher of the contents of a book, printed on its paper cover

3. binding

c) an introduction to a book

4. blurb

d) a preface, especially in which someone who knows the writer and his work and says something about them

5. chapter

e) an introduction to a play , long poem

6. contents

f) one of the main divisions of a book, usually having a number or a title

7. cross-reference

g) one part of a book, which is read on the radio in regular parts until the story is completed

8. epilogue

h) a list of what is contained in the book

9. foreword

i) the end of a book, giving additional information

10. index

j) a list of all the writings used in the preparation of a book

11. instalment

k) a list at the back of a book giving, in alphabetical order, names, subjects, etc. mentioned in it and the pages where they can be found.

12. preface

l) a note directing the reader from one place in a book to another place in the same book

13. prologue

m) a part of a story, play, etc. that is added after the end, usually a kind of summing-up


Ex. 7. BOOKS. Complete with the right name of the part of a book.

1. This old book is …………………. in leather.

2. Look at the list of the ………………in the book and find on which ……………. the first …………….starts.

3. He wrote a ………………….to his book, explaining why he had written it.

4. He listened to the fourth…………………..of the novel on the radio last night.

5. This is a ……………………….of all the works published by Oxford University Press in the past fifty years.

6. In this book ………….are shown with an asterisk (*).


Ex. 8. BOOKS. Choose the right answer.

1. This book is too ……………………, I don’t understand it.

a) blank b) dark c) obscure d) secret

2. In Mr Critical’s opinion, Mary’s reputation as a writer is very …………………………. .

a) overestimated b) overlooked c) overrated d) overstated

3. The bookshop said they did not have the drama just then, but that it was on …………………. .

a) arrival b) delivery c) order d) purpose

4. Don’t read all the book. Just ………………. the first few pages quickly.

a) dissect b) glance through c) look round d) see into

5. A poet has to be extremely ………………… to the music of words.

a) alert b) sensible c) sensitive d) sentimental

6. Shakespeare’s plays fall into three ………………… categories: tragedies, comedies and histories.

a) ample b) broad c) expansive d) thick

7. The peace of the public library was ………………. by the sound of a transistor radio.

a) demolished b) fractured c) smashed d) shattered

8. If he didn’t have the royalties from his book to………….his tiny income, he simply wouldn’t survive.

a) amplify b) contribute c) expand d) supplement

9. This young author has already received the sort of…………………. that many who are older and wiser have had to strive a lifetime for.

a) attentiveness b) note c) notoriety d) recognition

10. The story had a macabre ………………to it.

a) clang b) noise c) ring d) tick

11. He was a learned man, and few travelers have written with so much …………………. .

a) acquisition b) apprehension c) cultivation d) erudition

12. His reputation has been greatly ……………… by the success of his new book.

a) enhanced b) enlarged c) expanded d) heightened

13. Some writers take a light weight ………. typewriter with them wherever they go.

a) bearable b) carrying c) portable d) weighing

14. He says he would write an English course book if he could find a(n) ……………..to deal with the less interesting parts.

15. I was in no way prepared for the ………………. of criticism my play received.

a) assault b) offensive c) onset d) onslaught


Ex. 9. Look up and memorize the pronunciation of the following names:

Aldington, Richard

Balzac, Honoré de

Brecht, Bertolt

Brontë (Charlotte, Emily, Ann)

Byron, George Gordon

Dickens, Charles

Dreiser, Theodore

Faulkner, William

Fitzgerald, Francis Scott

Galsworthy, John

Greene, Graham

Hemingway, Ernest Miller

Henry, O.

Irving, Washington

Lewis, Sinclair

Maugham, William Somerset

Murdoch, Iris

Poe, Edgar Allan

Rabelais, François

Shakespeare, William


Ex. 10.Match the name of a literary movement or phenomenon with the right definition.
  1. Existentialism
  1. a conventional term applied to the English writers who lived and worked in the so-called Victorian age (1837-1901)
  1. Expressionism
  1. a philosophical movement embracing the view that the suffering individual must create meaning in an unknowable, chaotic, and seemingly empty universe
  1. Modernism
  1. a trend in English literature which appeared in the 50-s of the 20th century as a result of disillusionment in post-war bourgeois reality. The writers of the trend criticize the contemporary society, but do not show the way out of the impasse. The main representatives of this trend are Kingsley Amis, John Braine, John Osborne, John Wain
  1. Naturalism
  1. Post-World War I artistic movement, of German origin, that distorted appearances to communicate inner emotional states
  1. Neo-classicism
  1. an idealistic theory based on the belief that art does not depend on social life, and that merely form, not content, is important
  1. Sentimentalism
  1. International cultural movement after World War I expressing disillusionment with tradition and interest in new technologies and visions
  1. Surrealism
  1. a term applied to a group of poets (E. Elliot, Th. Cooper, E. Jones), connected with the Chartist movement (the 30’s and the 40’s of the 19th century). Their poetry reflected the revolutionary struggle of the English working class.
  1. Victorians
  1. Late 19th- and 20-th century literary approach of French origin that vividly depicted social problems and viewed human beings as helpless victims of larger social and economic forces
  1. Angry Young Men
  1. The term is a translation loan from French (tour d’ivoire), where it was coined by an outstanding writer and literary critic Charles-Augustin Sainte-Beuve to denote aloofness from life, withdrawal from all social concerns. Such literary works as Salome by Oscar Wilde, or the poetry of the Pre-Raphaelites render the atmosphere implied by the term
  1. Art for art’s sake
  1. an 18th-century artistic movement, associated with the Enlightenment, drawing on classical models and emphasizing reason, harmony, and restraint
  1. Chartist poets
  1. The term applied to three English poets, Southey, Coleridge, and Wordsworth, who had been living for some time in a remote corner of North-West England. They underwent evolution in their political views and creative activities. Aloofness from the life of their time, their plunging into mysticism made their poetry somewhat vague and abstract despite its high artistic values.
  1. Ivory tower
  1. a literary movement of the second half of the 18th century brought to life as a reaction to classicism. It marked a new stage in the evolution of the Enlightenment. The belief in the values of reason being shattered, the emotional tendencies became accentuated.
  1. Lake Schhool, Lake poetry



  1. European literary and artistic movement that uses illogical, dreamlike images and events to suggest the unconscious
  1. University wits
  1. The name given to a group of Elizabethan playwrights who, being highly educated for the time, brought the English drama to a higher level, thus paving the way for Shakespeare. J. Lyly, G. Peele, Th. Lodge, Th. Nashe, R. Greene, Th. Kyd, Ch. Marlowe are usually referred to as University wits.


SPEAKING

  1. How much reading do you do? How much time do you spend each week reading books, newspapers and magazines?
  2. What kid of books do you enjoy reading? Do you choose different books for different occasions (journeys, holidays, etc.)?
  3. If you could choose between reading a book or seeing the same story as a film in the cinema or serialized on TV, which would you prefer?
  4. Who are your favourite authors? Describe the kinds of books they write.
  5. Describe one book you have particularly enjoyed reading recently. What did you like about it? What were its faults?

6. Are there any books you’d like to re-read (or have reread)?


READING

TEXT 1.

Matching stories

Here are the opening and closing paragraphs of five different books. There is an autobiography, a detective story, a romance, a spy story, and a fairy story. Read them carefully and match them up.


1 I was born on 16 April 1889, at eight o'clock at night, in East Lane, Walworth. Soon after, we moved to West Square, St George's Road, Lambeth. According to Mother my world was a happy one. Our circumstances were moderately comfortable; we lived in three tastefully furnished rooms. One of my early recollections was that each night before Mother went to the Theatre, Sydney and I were lovingly tucked up in a comfortable bed and left in the care of the housemaid.


2 'I wouldn't marry you if you were the last man left on earth!'

Netta faced him defiantly, a tiny figure shaking with outrage, her spirit as fiery as the colour of her copper curls.

'The feeling's mutual,' he snapped back through tight lips. 'Don't imagine I enjoy the prospect of being saddled with you for a wife, for however short a time it maybe.'

'Then let's forget the whole crazy idea.'


3 At the palace, the King was glad to welcome his son's bride. He arranged a magnificent wedding for the Prince and his chosen wife. The kings and queens and the princes and princesses from many lands came to the wedding. The wedding feast lasted a whole week. And they all lived happily ever after.


4 With such happiness, I sometimes sit out on our terrace at sunset and look over a vast green lawn to the lake in the distance, and beyond the lake to the reassuring mountains, and in this mood think of nothing, but enjoy their magnificent serenity.


5 Once upon a time there was a little girl called Cinderella. Her mother was dead, and she lived with her father and two elder sisters.

Cinderella's sisters were beautiful and fair of face, but because they were bad-tempered and unkind, their faces grew to look ugly. They were jealous of Cinderella because she was a lovely child, and so they were often unkind to her


6. When I have finished writing, I skill enclose this whole manuscript in an envelope and address it to Poi rot. And then - what shall it be? Verona)? There would be kind of poetic justice. Not that I take any responsibility for Mrs Ferrars' death. It was the direct consequence с her own actions. I feel no pity for her.

I have no pity for myself either.

So let it be veronal.

But I wish Hercule Poirot had never retired from work and come here to grow vegetable marrows.


7. Castle, ever since he had joined the firm as a young recruit more than thirty years ago, had taken his lunch in a public house behind St James's Street, not far from the office. If he had been asked why he lynched there, he would have referred to the excellent quality of the sausages; he might have preferred a different bitter from Watney's, but the quality of (he sausages outweighed that. He was always prepared to account for his actions, even the most innocent, and he was always strictly on time.


8. 'You didn't let me tell you how lovely you look,' he murmured after a long, sweet time had passed between them. 'I tried to tell you, when you joined me in the ballroom tonight, but you thought I was going to say you were late coming down.'

He laughed softly at the memory; and she joined in gaily. She had been wonderfully, blissfully on time. She started to tell him so, but his lips claimed her own, masterfully silencing the words that no longer needed to bespoken.


9. Mrs Ferrars died on the night of the I6th-17th September- a Thursday. I was sent for at eight o'clock on the morning of Friday the 17th. There was nothing to be done. She had been dead some hours.

It was just a few minutes after nine when I reached home once more. I opened the front door with my latchkey, and purposely delayed a few moments in the hall, hanging up my hat and the light overcoat that I had deemed a wise precaution against the chill of an early autumn morning. To tell the truth, I was considerably upset and worried.


10 She asked, 'Have you friends?'

'Oh yes, I'm not alone, don't worry, Sarah. There's an Englishman who used to be in the British Council. He's invited me to his dacha in the country when the spring comes. When the spring comes,' he repeated in a voice which she hardly recognized - it was the voice of an old man who couldn't count with certainty on any spring to come.

She said, 'Maurice, Maurice, please go on hoping,' but in the long unbroken silence which followed she realized that the line to Moscow was dead.

What helped you to match extracts? Was it content (names, details), language, or style?

Here are the titles and authors, again mixed up. Match each book with its correct title and author.

The Himan Factor Sue Peters

The Murder of Roger Ackroyd Charlie Chaplin

Cinderella Graham Greene

Marriage in Haste Agatha Christie

My Autobiography (traditional fairy tale)