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Order of application
Application should be made no later than the March 15, 2012, by posting (the date to be defined by dispatch post stamp) or emailing the following documents and competition materials to the Organization Committee:
- Completed application form;
- Photocopies of all documents specified in the application form;
- Portrait type photograph (electronic version)
- Photocopy of the bank transfer document proving payment of entry fee;
- Photocopies of diploma or certificate of education, or the student’s academic certificate.
RESEARCH AND PRACTICE CONFERENCE
^
«MUSIC SPEECH IS INEXHAUSTIBLE LIKE THE VERY HUMAIN SOUL»
The research and practice conference program shall cover the following topics:
- contemporary arts problems;
- history, philosophy and cultural study aspects of composing and musician’s personality
- S. Slonimsky’s works in cultural space;
- S. Slonimsky’s works in sources;
- pedagogical, performing, literary and social activity of composer in the 21st century; and
- contemporary music interpretation problems .
Spoken presentations are limited to 15 min, participation in debate – to 5 min.
Papers can be proposed for spoken presentations during sessions of one or several seminars or for poster sessions.
Registration deadline is the March 15, 2012 (see Attachment 3). For conference proceedings authors should submit their papers electronically. Along with the body text the submission should include the title of proposal, 10 keywords and abstract.
Publishing expenses are the responsibility of the author and amount at 200 Roubles per page.
All traveling, accommodation and other expenses are the responsibility of the sending party.
^ Submission requirements
Microsoft Word. File name shall feature author’s last name.
Page setup.
Letter size: Margins: right – 20 mm, left – 20 mm, upper – 20 mm, bottom – 30 mm.
Body text format. Full justification. Paragraph indent – 1,25 sm. Hyphenation. Font.
Times New Roman. Font size – 14. Page bottom foot-notes – 12.
Personal information. Full name, scientific degree, position, place of work, post address with post code, phone/fax, and e-mail.
Conference starts at 11 am, the April 4, 2012. Registration of participants begins at 10 am.
Address: A.I. Herzen RSPU, College of Music, 199155, per. Kakhovskogo 2,
St. Petersburg, Russia
Phone 8 812 350 2401 phone/fax 8 812 350 9652.
For additional information please e-mail professor Raisa Slonimskaya, Chair, Organization Committee: raisa1970@mail.ru; or professor Irina Avramkova, Dean, College of Music: avramkova@mail.ru
For registration please e-mail professor Raisa Shitikova, Chair, Department of Music Educaton: kafedramvio@qip.ru
Attachment 1
The competition festival
Application form
“^ PLAYING SLONIMSKY”
Full name___________________________________________________________________________
Date and place of birth_________________________________________________________________
Educational institution_________________________________________________________________
(official name)
Position_____________________________________________________________________________
Teacher’s full name_______________________________________________________________________________
Name of collaborative performer (if any)___________________________________________________
Home address (phone/fax with country code, and e-mail)______________________________________
Repertory:
INSTRUMENT______________________________________________________________________
(Composer’s full name, opus number, key and duration)
Documents enclosed:
- Electronic portrait type photograph ;
- Photocopy of birth certificate or passport;
- Photocopy of the bank transfer document proving payment of entry fee
I abide by the regulations of the competition festival.
Date ________________________ Signiture_________________________
Attachment 2
| ^ SLONIMSKY’S COMPOSITIONS |
| PIANO |
| Three Forest Stories for Children of Pre-school/Primary School Age |
| 24 Preludes and Fugues. Vol. 1 |
| 24 Preludes and Fugues. Vol. 2 |
| From five to fifty. Vol 1 |
| From five to fifty. Vol. 2 |
| From five to fifty. Vol. 3 |
| From five to fifty. Vol. 4 |
| From five to fifty. Vol. 5 |
| First steps on the keyboard |
| Intermezzo in Memory of Brahms. |
| Northern Ballade in Memory of Grieg |
| Piano Sonata |
| Three Graces. Suite in variation form after Botticelli, Roden and Picasso |
| Round Dance, Song and Buffoonery |
| Ricercar |
| Korean Suite, five pieces. For piano, with pentatonic shifts in melody |
| Castle-building Waltz. |
| Merry Furiant - Polka. |
| Merry Mazurka |
| Embrowned Beautiful Vision. |
| American Rhapsody on the G – H Theme. For two Pianos and Cembalo |
| Jewish Rhapsody. Concerto for Piano, Strings, Flute and Percussions. Two piano arrangement |
| Second Piano Concerto. Two piano arrangement |
| ^ SOLO INSTRUMENTS WITH PIANO |
| Three Graces. Suite in variation form after Botticelli, Rodin and Picasso. For Viola and Piano |
| The Star of Orient. For Violin and Piano |
| Nocturne. Concert Waltz. For Violin and Piano |
| Sonata for Violin and Piano. Monody (Solo Violin) |
| Suite for Viola and Piano. Score and Solo part |
| Sonata for Cello and Piano |
| Alba. For Flute or Violin and Piano. Score and Solo part |
| Burlesque. For Oboe and Piano |
| Monologue and Toccata for Clarinet and Piano. Score and Solo part |
| Trio for Violin, Cello and Piano. Score and Solo part |
| In the World of Animals, Children Suite for Cello and Piano |
| Alba. For Flute and Piano |
| ^ Solo instruments |
| Sonata for Solo Violin |
| Three pieces for Solo Cello |
| Pastoral and Toccata for Organ |
| Chromatic Poem for Organ |
| Solo espressivo. For Oboe |
| Monody after Reading of Euripides. For Solo Violin |
| Chechen Rhapsody. For Harp |
| Pieces for Marimbaphone and Xylophone |
| Three Concert Pieces for Harp |
| SONGS |
| Two Romances and Song of The Ice Princess with N. Sorokina’s lyric for Voice and Piano 1. Autumn 2. But why? 3. The Ice Princess’s Song. |
| Two Etchings (with M. Tchubkina’s lyrics) for Soprano and Piano |
| Two Russian Songs with V. Krasov’s lirics |
| Songs with lyrics by S. Yesenin, G. Rubtsov, A. Gorodnitsky and E. Rein |
| Songs with Alexey Koltsov’s lyrics for Tenor and Piano |
| Songs with Marina Tsvetaeva’s lyrics for Voice and Piano |
| Five Songs with Bella Akhmadulina’s lyrics. For Voice and Guitar |
| Songs with A. Kushner’s lyrics for Soprano and Piano |
| Songs with Anna Akhmatova’s lyrics for Voice and Piano |
| Songs with lyric by M. Lermontov, G. Derzhavin, Nadira, A. Jami and A. Kuprin for Voice and Piano |
| Three Songs withV. Soloviov’s lyrics for Middle Voice and Piano |
| Three Songs with M. Lermontov’s lyrics for Middle Voice and Piano |
| Three Songs with F. Tjutchev’s lyrics for Middle Voice and Piano |
| Four Songs with F. Tjutchev’s lyrics for High Voice and Piano |
| Three Songs with M. Lermontov’s lyrics for Middle Voice and Piano |
| Songs and Dances from the movie “The Shkid Republic”(”Республика Шкид”) |
| Spring Arrived! Vocal Suite. For Middle Voice and Piano. Lyrics by Japanese poets |
| Songs of the Outlaws. Vocal set. For Mezzo-Soprano, Baritone and Piano. Folk lyric |
| Lyric Stanzas. Vocal set for Voice with Piano. E. Rein’s lyrics |
| Farewell to a Friend. Vocal Scene. For High Voice with Piano. From Sumerian Gilgamesh Epos. Russian text by I. Dyakonov. |
| Six Songs with A. Akhmatova’s lyrics. For Voice with Piano |
| Four Poems by O. Mandelstam. For Voice with Piano |
| Ten Poems by A. Akhmatova. For Voice with Piano |
| Six Duets. For Soprano and Mezzo Soprano with Piano |
| Five Songs with M. Lermontov’s lyric |
| Ruba’i, five poems by A. Jami. For Tenor with Piano. Translated from Farsi by V. Zviagintseva. |
| Nadira’s ghazels. For Soprano with Piano. Translated from Uzbek by S. Ivanov |
| Six Songs with O. Mandelstam’s lyric. For Voice with Piano |
| Old Romance Souvenir. Seven Duets for Soprano and Mezzo Soprano with Piano |
| To Lydia (Quarrel of Lovers) Horace’s Ode. For Soprano and Baritone with Piano. Translated by N. Romanovsky |
| Six Songs with lyrics by M. Lermontov and G. Derzhavin. For Mezzo Soprano, Baritone with Piano |
| Two Songs with lyrics by A. Gorodnitsky. For Bass with Piano |
| Tree Songs with lyrics by A. Kushner. For Voice and Piano |
| Tree Songs with lyrics by N. Rubtsov. For Bass with Piano |
| Spanish Epigrams. For Middle Voice with Piano. Translated by V. Vassiliev |
| Chivalry Romance for Nina. For Voice with Piano. Lyric by N. Gumiliov |
| Songs with A. Koltsov’s lyrics. For Tenor with Piano |
| Two Songs with G. Garbovsky’s lyrics. For Bass with Piano |
| Three Songs. For Middle Voice with Piano. Lyrics by V. Soloviov |
| Three Songs. For Voice with Piano. Lyrics by M. Lermontov. 1. Kak nebesa tvoy vzor blistaet, 2. Portrait, 3. Ja zhit’ khochu |
| Three Songs. F. Tjutchev’s lyric. For Voice with Piano |
| Songs. For Contralto with Piano. M. Tsvetayeva’ lyrics |
| Two Songs. For Middle Voice with Piano. A. Tolstoi’s lyrics. 1. Minuli strasti, 2. Prishla vesna |
| Three Songs for Voice with Piano. Lyrics by V. Shefner and I. Tkhorzhevsky. 1. V grekhakh my vse, 2. Ne privykaite k nebesam stikhi, 3. Liogkoy zhizni ja prosil u boga. |
| Songs with Marina Tsvietayeva’s lyrics. For Voice (Contralto) with Guitar |
| Five Songs with Bella Akhmadulina’s lyrics. For Voice and Guitar |
| ^ Chamber Ensembles |
| Merry Songs. Vocal Set for Soprano, Piccolo Flute, Tuba and Percussions with lyrics by D. Kharms |
| Troubadours’’ Songs. For Soprano, Tenor, four Recorders and Lute with Old German and Old Provence lyrics |
| Pesnokhorka. For Contralto, Flute, Oboe, Trumpet, Balalaika, Bayan, Spoons, Vibraphone and three Electric Guitar. Folk lyric |
| Solomon’s Song of Songs, lyrical exerpt. For Soprano, Tenor, Chamber Choir, Oboe, French Horn and Harp. I. Dyakonov’s translation. |
| “Jammapada”’s Stanzas. From Ancient Hindu literature. For Soprano, Flute, Harp and Percussions. |
| Drei Lieder nach Versen von Jоssip Mandelstam.Deutsch von Paul Celan (Three Songs with Osip Mandelstam’ lyric in translation by Paul Celan). For Mezzo Soprano, Violin, Cello and Piano. |
| To Death of Georgy Zhukov. Ballade for Baritone, Flute, Cello, Piano and Percussions. Lyric by I. Brodsky |
| Public House Moscow, three songs with lyrics by S. Yessenin. For Bass, Guitar and Piano. |
| Loser’s Songs, five cruel romances with E. Rein’s lyric. For Bass, Guitar, Piano and Percussions |
| Three Poems by Alexander Kushner. For Voice, Flute and Piano. |
| A Bar-room Man. Suite for Bass, Saxophone and Piano. Lyric by E. Rein. |
| Three Little Songs with Eugene Rein’s lyrics. For Bass, Trombone and Wood Block |
| Hello, Hell! For Bass, Double Bass and Piano. Three Poems by A. Kondratov |
| Domine Jesu. For Soprano, Violin and Cello |
| «O himmel, himmel». For Voice, Flute, Cello, Piano and Percussions. Lyric by O. Mandelstam in P. Celan’s translation |
| From The Old Testament. (From David’s Psalms. Solomon’s Song of the Songs). For High Voice, Hoboe, French Horn and Harp |
| Exotic Suite. For two Violins, two Electric Guitars, Saxophone and Percussions |
| Novgorod Dance. For Clarinet, Trombone, Cello, Piano and Percussions |
| Musica lirica. For Flute, Violin and Cembalo |
| Recitative, Aria and Burlesque. For Flute, Piano and Percussions |
| Lamento furioso. For Violin, Clarinet and Piano. |
| Dialogues, Inventions. For Flute, Oboe, Clarinet, Bassoon and French Horn |
| Antiphons. For String Quartet |
| Quintet. For two Violins, Viola, Cello and Piano. Score and Parts |
| One Day of Life. Cantata for four Soloists, Choir and Chamber Ensemble. |
| Polish Stanzas. For Mezzo Soprano and Flute |
| Piano Trio. Score and Parts |
| ^ CHORAL WORKS |
| Two Russian Songs. For Choir a capella. Folk lyric. |
| Northern Landscapes. For Choir a capella. V. Rozhdestvensky’s lyric |
| Choral Games. For Children Choir, Boy Soloist and two percussion instruments. Lyric by A. Vvedensky |
| Evening Music. For Choir a capella (without words) and Tam-tam |
| Four Russian Songs. For Choir a capella. Folk lyric |
| Ja skazhu tebe s posledney priamotoy. For Choir a capella. Folk lyric with lyrics by O. Mandelstam |
| Quite Flows The Don, concerto. For Mixed choir with Old Cossack song lyric after M. Sholokhov’s novel |
| White Night. For Choir a capella. B. Okudzhava’s lyric. |
| Four Stasims from Sophocles’s tragedy “Oedipus in Colon”. For Mixed Choir a capella. Translated from Ancient Greek by S. Shervinsky |
| Small Triptych. For Choir a capella. S. Orlov’s lyric |
| Three Unaccompanied Choruses with A. Fet’s lyric |
| Zarechie. Three Songs with A. Prokofiev’s lyric. For Choir a capella. |
| Five English Songs. For Children Choir. Lyric by S. Marshak |
| Forest Musicians. For Children Choir |
| House of Notes For Children Choir. Lyric by G. Liakhovitskaya |
| To Lydia. For Mixed Choir, Harp and Trombone. Horace’s Ode. |
| Monument. For Male Choir and Trombone. Horace’s lyric. Translated by N. Shaterenkov. |
| Welcome Chant for World Club of St. Petersburgers. For Choir a capella. Lyric by A. Yemelianov |
| «Vidia razbojnik». For Female Choir. With Ancient Russian spiritual text |
The above listed sheet-music and scores are available through “Kompositor” Publishers in St. Petersburg. You can order online (sales@compozitor.spb.ru), or by fax (+7 812 314-5054). The Publisher will email or fax you the check to pay off.
Attachment 3
Research and practice conference Registration Form
Full name_____________________________________________________
Place of work (study)____________________________________________
Position_______________________________________________________
Academic degree, title ___________________________________________
Title of proposal________________________________________________
Phone ________________________________________________________
(Signiture)
Для заметок
For notes
Для заметок
For notes