ГОТОВЫЕ ДИПЛОМНЫЕ РАБОТЫ, КУРСОВЫЕ РАБОТЫ, ДИССЕРТАЦИИ И РЕФЕРАТЫ
Means of creating tension in the English Gothic short stories | |
Автор | Татьяна |
Вуз (город) | ЧГПУ им. И.Я. Яковлева |
Количество страниц | 61 |
Год сдачи | 2010 |
Стоимость (руб.) | 3000 |
Содержание | CONTENTS
INTRODUCTION 3 CHAPTER 1. HISTORY BACKGROUND 7 1.1.The Interpretation of the Terms “Gothic” and “Gothic Fiction”. 7 1.2.The Gothic Evolution in Literature. 13 1.2.1. The First Wave of Gothic Novels: 1765-1820. 13 1.2.2. Gothic Fiction in the Nineteenth Century. 15 1.2.3. Modern Gothic. 16 CHAPTER 2. THE GOTHIC SHORT- STORY TRADITION 20 2.1. The Short Story as a Phenomenon of the Gothic Fiction. 20 2.2. The Features of the Gothic Short Story. 23 2.2.1. Language. 23 2.2.2. Imagery and Setting. 25 2.2.3. Characters. 27 CHAPTER 3. CREATING TENSION AND ATMOSPHERE OF FEAR IN THE GOTHIC SHORT STORIES 31 3.1.Features of Setting. 31 3.2. Typically Gothic Characters. 39 3.3. The Semantic field of the Short Stories. 45 CONCLUSION 57 BYBLIOGRAPHY 60 |
Список литературы | BYBLIOGRAPHY
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Выдержка из работы | INTRODUCTION
“The short story, like the stage has its conventions” Anton Chekhov From the 18th century to the present days, Gothic fiction has fascinated and terrified. Gothic as a genre has recently experienced a sharp rise in literary prestige, due largely, though not exclusively, to feminism nowadays. Yet most commentators also agree that Gothic fiction is melodramatic, repetitive, implausible, incoherent, and full of clichés. This genre is not that critics of the Gothic fiction do not talk about aesthetic questions but rather that they highlight different aspects of aesthetic response. We suppose each author integrates Gothic conventions into postmodern narratives that are distinct in style and approach. Beneath its trappings of ghosts, monsters, and psychopaths, quality Gothic fiction asks important philosophical questions about human nature. It can be an invaluable aesthetic tool for helping teens develop their own moral compasses. Themes of murder, incest, and dark sexuality can help young people understand the whole spectrum of human behavior. After all, “the work of horror is not interested in the civilized furniture of our lives…our socially acceptable and pleasantly enlightened character” as Stephen King has suggested. But it is interested in all of those things that are not talked about in school or at the dinner table–those very aspects of life that so many teens are desperately struggling to understand. And what better type of reading for them than books that they perceive to be appalling to those in authority: parents, teachers, and librarians. The Gothic is a key genre in the retrieval of an alternative history of aesthetic experience. The power of Gothic lies in its unsettling |