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nce on Wordsworth is particularly important because many critics have credited Coleridge with the very idea of "Conversational Poetry". The idea of utilizing common, everyday language to express profound poetic images and ideas for which Wordsworth became so famous may have originated almost entirely in Coleridges mind. It is difficult to imagine Wordsworths great poems, The Excursion or The Prelude, ever having been written without the direct influence of Coleridges originality. As important as Coleridge was to poetry as a poet, he was equally important to poetry as a critic. Coleridges philosophy of poetry, which he developed over many years, has been deeply influential in the field of literary criticism. Coleridge is probably best known for his long poems, The Rime of the Ancient Mariner and Christabel. Even those who have never read the Rime have come under its influence: its words have given the English language the metaphor of an albatross around ones neck, the quotation of "water, water everywhere, nor any drop to drink" (almost always rendered as "but not a drop to drink"), and the phrase "a sadder and a wiser man" (again, usually rendered as "sadder but wiser man"). Christabel is known for its musical rhythm, language, and its Gothic tale. Kubla Khan, or, A Vision in a Dream, A Fragment, although shorter, is also widely known. Both Kubla Khan and Christabel have an additional "romantic" aura because they were never finished. The Eolian Harp (1795) Reflections on having left a Place of Retirement (1795) This Lime-Tree Bower my Prison (1797) Frost at Midnight (1798)Fears in Solitude (1798) The Nightingale: A Conversation Poem (1798) Dejection: An Ode (1802) To William Wordsworth (1807)The eight of Coleridges poems listed above are now often discussed as a group entitled "Conversation poems". Description of Conversation poems: "The speaker begins with a description of the landscape; an aspect or change of aspect in the landscape evokes a varied by integral process of memory, thought, anticipation, and feeling which remains closely intervolved with the outer scene. In the course of this meditation the lyric speaker achieves an insight, faces up to a tragic loss, comes to a moral decision, or resolves an emotional problem. Often the poem rounds itself to end where it began, at the outer scene, but with an altered mood and deepened understanding which is the result of the intervening meditation."The term itself was coined in 1928 by George McLean Harper, who borrowed the subtitle of The Nightingale: A Conversation Poem (1798) to describe the seven other poems as well. Coleridges The Eolian Harp and The Nightingale maintain a middle register of speech, employing an idiomatic language that is capable of being construed as un-symbolic and un-musical: language that lets itself be taken as merely talk rather than rapturous song." In addition to his poetry, Coleridge also wrote influential pieces of literary criticism including Biographia Literaria, a collection of his thoughts and opinions on literature which he published in 1817. The work delivered both biographical explanations of the authors life as well as his impressions on literature. The collection also contained an analysis of a broad range of philosophical principles of literature ranging from Aristotle to Immanuel Kant and Schelling and applied them to the poetry of peers such as William Wordsworth. Lyrical Ballads, with a Few Other Poems is a collection of poems by William Wordsworth and Samuel Taylor Coleridge, first published in 1798 (see 1798 in poetry) and generally considered to have marked the beginning of the English Romantic movement in literature. The immediate effect on critics was modest, but it became and remains a landmark, changing the course of English literature and poetry. Most of the poems in the 1798 edition were written by Wordsworth, with Coleridge contributing only four poems to the collection, including one of his most famous works, "The Rime of the Ancient Mariner". (Additionally, though only the two writers are credited for the works, Williams sister Dorothy Wordsworths diary which held powerful descriptions of everyday surroundings influenced Williams poetry immensely). A second edition was published in 1800, in which Wordsworth included additional poems and a preface detailing the pairs avowed poetical principles. Another edition was published in 1802, Wordsworth added an appendix titled Poetic Diction in which he expanded the ideas set forth in the preface. Wordsworth and Coleridge set out to overturn what they considered the priggish, learned and highly sculpted forms of 18th century English poetry and bring poetry within the reach of the average person by writing the verses using normal, everyday language. They place an emphasis on the vitality of the living voice that the poor use to express their reality. Using this language also helps assert the universality of human emotions. Even the title of the collection recalls rustic forms of art - the word "lyrical" links the poems with the ancient rustic bards and lends an air of spontaneity, while "ballads" are an oral mode of storytelling used by the common people.In his famous "Preface" (1800, revised 1802) Wordsworth explained his poetical concept --The majority of the following poems are to be considered as experiments. They were written chiefly with a view to ascertain how far the language of conversation in the middle and lower classes of society is adapted to the purpose of poetic pleasure.--If the experiment with vernacular language was not enough of a departure from the norm, the focus on simple, uneducated country people as the subject of poetry was a signal shift to modern literature. One of the main themes of "Lyrical Ballads" is the return to the original state of nature, in which people led a purer and more innocent existence. Wordsworth subscribed to Rousseaus belief that humanity was essentially good but was corrupted by the influence of society. This may be linked with the sentiments spreading through Europe just prior to the French Revolution.Although the lyrical ballads is a collaborative work, only four of the poems in it are by Coleridge. Coleridge devoted much of his time to crafting The Rime of the Ancient Mariner. Many of Coleridges poems were unpopular with the audience (and with Wordsworth) due to their macabre or supernatural nature.

 

  1. George Gordon Byron was a British poet and a leading figure in Romanticism. Amongst Byrons best-known works are the brief poems She Walks in Beauty, When We Two Parted, and So, well go no more a roving, in addition to the narrative poems Childe Harolds Pilgrimage and Don Juan. He is regarded as one of the greatest British poets and remains widely read and influential.Byrons notability rests not only on his writings but also on his life, which featured aristocratic excesses, huge debts, numerous love affairs, and self-imposed exile. He was famously described as "mad, bad and dangerous to know". He travelled to fight against the Ottoman Empire in the Greek War of Independence, for which Greeks revere him as a national hero. Byron wrote prolifically. Although Byron falls chronologically into the period most commonly associated with Romantic poetry, much of his work looks back to the satiric tradition. Byrons magnum opus, Don Juan, a poem spanning 17 cantos, ranks as one of the most important long poems published in England since John Miltons Paradise. The masterpiece, often called the epic of its time, has roots deep in literary tradition and, although regarded by early Victorians as somewhat shocking, equally involves itself with its own contemporary world at all levels social, political, literary and ideological.

Byron published the first two cantos anonymously in 1819 after disputes with his regular publisher over the shocking nature of the poetry; by this time, he had been a famous poet for seven years, and when he self-published the beginning cantos, they were well received in some quarters. The figure of the Byronic hero pervades much of his work, and Byron himself is considered to epitomise many of the characteristics of this literary figure. Scholars have traced the literary history of the Byronic hero from John Milton, and many authors and artists of the Romantic movement show Byrons influence during the 19th century and beyond, including Charlotte and Emily Bront. The Byronic hero presents an idealised, but flawed character whose attributes include[citation needed]: great talent; great passion; a distaste for society and social institutions; a lack of respect for rank and privilege (although they possess both); being thwarted in love by social constraint or death; rebellion; exile; an unsavory secret past; arrogance; overconfidence or lack of foresight; and, ultimately, a self-destructive manner. Percy Bysshe Shelley was an English poet of the early nineteenth century. He is widely thought of as one of most important poets of the Romantic movement in English literature. Some of his poems, like Ozymandias and Ode to the West Wind, are among the most famous in English.Shelley was the son of a member of Parliament. He attended the University of Oxford, for only one year; he was expelled for being an atheist. In his own time Shelley was very unpopular for his political and religious views and for his personal conduct. He married young, but left his wife to run away with Mary Godwin. After Shelleys first wife committed suicide, Shelley married Mary Godwin; she later became famous as Mary Shelley, the author

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